“I wish I could tell the next thing, But in dreams I can’t,
so will let this stand in for it, this me
I have become, this loving you either way.”
--John Ashbery
from “From Estuaries, From Casinos,” Hotel Lautrémont
“Throw away the lights, the definitions
and say of what you see in the dark.”
--Wallace Stevens
Said Dali to Lorca:
…escape
from the watch
and become
a new bodily joint—
in the place
that corresponds
to the sex organs
of bread crumbs…
If you think you find yourself here,
you are correct.
--Judith Feathers
A Response
When the window opens (this window is open)
When each bridge whispers, then rips
When I slip through the filter
Then,
our sin
is swallowing
our lowest hopes
The result is the sound smack
of pleurons, lateral plates
of body segments, landing
in the pattern of a scrapbook.
Numbness. Feeling the company
of feeling. Feeling the company
of others’ thumbs, the complexity
that falling leaves. A dove (however symbolic)
A dove on a tightrope.
____________________
The earth is a handful
of fingerpaint waiting
for the next glacier.
This world is a handful. But,
late night, no one arrives.
We are water people
(though no one told me).
We are water people,
but waves can’t erase
the pulse of what’s under
our table.
Enemies: our task
to develop the craft
to gut the structure
to discipline the digging in
Late night,
I finger the window frame,
feel the air. Guilt’s great eclipse
lifts the wind. This elegy
should not have been–
Untitled
Half me, half you,
half moon.
Even with hands closed,
I know it is you.
This night, cruel rain and lamé
But when I had you, you know
the cliché by heart,
nausea set in stars.
Searching for the perfect always ends
inside the muse—
who smears honey on lips,
then leaves.
Again, we forged our mother-tongues,
kissing one another’s islands.
We fold alike
as tight kaleidoscopes at the door.
You force your red flowers.
You force your yellow ones, too.
Buttercup under chin:
Yellow. You like it. I’m smooth.
Our backbone and lips
share errors the colors of blood and butter.
Veins are wounded so we look
for other means to send the message.
The moon, giant pushpin in the sky,
posts this note: it’s time to forget
we’ve been getting what we asked for.
The Fixity of an Obscene Idea
Again, it is the living ghost who sits,
dressed as a stereotype. Proof
already rendered its services—
its quiet current pulsing through skeletons
whose senses have strayed. Distant conversations
discover our mutual flesh.
You uttered this one desperate sentence
and waved pieces of gray cotton under old ebony tables.
Into the arms of each other—where sleep dare not down
the fallen birds. Distracted by the young man’s usual steadiness,
we cannot see the lips that are well worth the feels.
You can think of those last leafy branches vanished,
the last woman loved pink satin and dropped her fur
next to the fire. She heals all defects and that induces him
to lower his head before the nightfall gives this iris
honorable youth again.
Tiny Little Tonight
for you, once and again
You left your calling card
on my spine, etched as if to say
“I was here and here—again.”
I could love you
in almost any city, so
let’s get gone
and see.
The Universal Diary of Knowledge and Pleasure
I remember when we first met
beneath the bridge.
It was back when your mother’s house
was painted Cape Cod grey.
We hung from the jungle gym
like prisms catching light
that broke our laughter—
not even/out,
but hushed and lulled
into a blend of dusty brushstrokes.
White hands clasp black hands
mesh white hands now blue.
Years later, the planets learned
how to pulse in tune
with the seizing stars.
The Shrike’s Fresher Kill
You threw something on the floor,
and I had to move in to take a closer look.
It was a model of a ------ that I
no longer know.
Deep weary, without veils
and a long time since
you relinquished judgment. You left me
alone yesterday to pledge fury
to the last olive tree.
Nothing protects me from
the expression on these faceless mannequins—
their arms dislodged by domestic thieves.
To shed doubt, he left me
in a whirlpool to weep
without release. I canceled
my golden hair, and kept more
of what the silence gives us.
Looking back, I should have noticed
why there were no photos.
Muscled up by wanderers and mystics,
there are no more antics on tap. And that’s fine with me,
but I’m still curious about the strangulation.
Suggestion
Let’s meet for some prefabricated
language play where we can hone
our seductive keyboarding skills.
I’ll bring my rainbow
duplication rights.
Spotlight on an Enigma
In which reaches of my muscles
do I miss you most? Like a saint
hung to dry, humidity’s hot hand
presses against our foreheads.
She Who Has Fallen
Si tu le souhaites—
That the hummingbird
hitches rides on the backs
of other birds is a fanciful myth.
As dust twists, smothers us
in its unromantic cloak,
somewhere moving parts
spark ingenuity in the tender quiet.
Si tu savais—
Within a gnarled tree
that’s name escapes me,
the small night scatters in pieces,
calling night swallows to surge and fall
in gentle arcs. Too cold a sentence
the gingko tree bears.
Si tu veux—
The Santa Anas
aren’t always the enemy.
In fact, some say
no better friend
will you find.
(I have the right to burn bridges.)